近日，《八十天环游世界》的幕布缓缓落下，DSI Arts Gala Night 2026也随之在一片宁静而温暖的氛围中圆满落幕。数月来，这部改编自经典的作品活在排练室里、手写剧本的空白处，也活在每一位选择讲述这个故事的学生与老师的紧张与欢笑中——这不仅是一个关于冒险的故事，更是关于“我们”的故事。我们多元的社群、我们心照不宣的默契、我们思乡与归属的细微瞬间，都悄然融入舞台之上。
您所看到的不仅是一出校园戏剧。它是一群年轻人在老师课余的悉心指导下，在核心制作团队（CPT）一丝不苟的推动下，将一部文学经典打磨成一面镜子，映照出我们自己。我们为只有DSI人才懂的“内部梗”会心一笑，我们为这段共同的旅程而感动——这正体现了“国际视野”的真实含义：不只是远行，更是在路上学会承载彼此的世界。
DSI Arts Gala Night的成功，是因为没有人孤军奋战。演员排练到身体记住每一个节拍，老师给予的不仅是指导更是信任，而每一位到场的人都在证明：当艺术被共同创造，它便不再只是一场演出，而成为一种潜移默化的影响。
对一所庆祝十五周年的学校而言，这不只是一个里程碑，更是一种提醒：无论台上台下，我们创作的故事都会泛起涟漪。《八十天环游世界》提出了一个简单的问题：当来自四面八方的人们尝试共同抵达某处，会发生什么？而我们希望，这个问题的答案，会在谢幕之后长久回响。
更多当晚的瞬间——未经修饰的、真实的、即兴的，将在「德胜国际MediaCube」微信视频号陆续呈现。欢迎前往观看，重温这段我们作为一家人共同经历的旅程。
感谢您的在场——无论亲身而至，抑或心意相连。这个夜晚属于你们每一位，属于我们所有人。
而我们的故事还未完待续……
核心制作团队 幕后感言
罗嘉许 Zoe
联系赞助商是我遇到的最大挑战。反复跟进、耐心等待是常态，这让我深刻体会到坚持和有效沟通有多重要。我还参与了宣传和协调工作。当表演组、创意组、后勤组的所有努力终于在舞台上交汇的那一刻，那种成就感真的难以言喻。一场成功的活动，不只靠创意和热情，更依赖团队间的信任与合作。这段经历也让我学会了在压力下保持耐心。
郭晞彤 Justina
我同时负责赞助对接和上台表演。对外联络让我学会了如何平衡赞助方的需求和学校的安排，也真正体会到一场流畅的演出背后需要多么细致的筹备。当看到演出顺利完成，而自己既是台上的一份子，也是幕后推动它发生的人之一，那种成就感非常真实。
刘夏瑜 Yoyo
拉赞助的过程很磨练人，联系商家、写提案、洽谈合作，每一步都考验耐心和沟通能力。正是因为有了赞助商的支持，我们的舞台才能呈现出这样的效果。演出落幕那一刻，心里既有激动也有感动，这是对我们整个团队几个月努力的最好证明。
黎浩滢 Miko
筹备过程中确实有压力很大的时候，但看到每个人都那么投入、彼此支持，整个过程变得很快乐，也很有收获。我想对未来的CPT核心团队学生领袖说：一开始就把分工明确好，并且给自己留出更多的准备时间，这样能大大减轻最后阶段的紧张感。
曾竞泽 Lucas
我负责道具的安排和上下台，要确保每场演出道具都准时到位。我很快意识到，哪怕是一个小小的道具失误，也可能影响整场演出，所以保持条理清晰、沟通到位非常关键。这次经历教会我提前做好准备、灵活应对变化，也实实在在锻炼了我解决问题的能力。
Joseph Sarvas
我原本试镜了主角，后来却加入了创意团队，协助改写剧本、加入新角色。第一次写剧本是很大的挑战，但在Mr. Syahir和Ms. Connie的指导下，我慢慢就上手了。后来我还出演了自己写的角色之一——“捣蛋鬼”，这个角色以我和朋友们为原型，所以入戏很自然。记歌词和舞蹈动作确实不容易，但经过反复练习，我们最终在舞台上成功抢尽了风头。
何宝彤 Clara
因为IB课业压力，我选择退出了台前表演，转而把对音乐剧的热爱全部投入到幕后，负责晚会的视觉形象和周边设计。从搜集各国文化元素做参考，到手绘帆布袋和明信片，再到参考百老汇节目册的版式来设计我们的场刊，我花了很多心思。作为团队的负责人，我慢慢学会了一个道理：按照每个人的优势来分工、信任队友，比自己包揽一切要高效得多。在DSI的六年里，我一直是站在台上的表演者。今年第一次坐在观众席看演出，才真正体会到一场成功制作背后有多少看不见的付出。
潘芍霖 Shellin
演出效果远远超出了我的预期。我最大的压力来自周边产品设计，早期方案一直不理想，那段时间真的很焦虑。但当样品终于成型，又在晚会现场看到大家排队来买的时候，我觉得之前所有的付出都值了。
麦子铠 Chris
最有成就感的时刻，是当我们把海报、周边、邀请函和场刊全部摆在一起，终于看出它们组成了一个完整的Gala视觉系统。
我们小组五个同学负责这次DSI Arts Night的视觉、宣传和文创周边设计。周边部分每人设计三款产品，宣传主要由我和Clara负责。Ms. Wu Yang帮我们修改宣传设计，Ms. Woody跟进周边的制作和订货。
我遇到的最大挑战，是同时做好两件事。一是保持设计风格的统一，一开始要在每个人不同的风格和整体主题之间找到平衡。二是在每个设计里藏进和剧情有关的细节。我们希望周边不只是好看的装饰，更能让观众回忆起看演出时的感动。比如巴塞罗那的周边，我们把婚礼场景的元素融了进去，这样大家看完演出，还能通过这些细节回想起那个重要情节和当时的感受。
经过好几轮修改，当我们把所有东西摆在一起，它们真的像属于同一场活动了。那一刻很触动我，让我意识到设计不只是做出好看的图，更是在沟通、合作和讲故事。我感到很自豪，因为我们的作品变成了观众可以拿到、买到、并作为Gala回忆保存下来的真实物品。
家长感言
晚会落幕，感动常在。
每一件文创都藏着我们的创作初心——把青春和记忆做成可收藏的“小彩蛋”，你发现了吗？
特别感谢每一位到场的嘉宾和家长，感谢所有支持我们的赞助商，感谢学校各部门的配合与支持，也感谢老师同学们的捧场与鼓励。是你们，让这场自主筹划的晚会闪闪发光。
Gala文创仍在售，把这份独家回忆带回家吧～
明年Gala，我们再会！
The curtains closed on 'Round in Eighty, and with it, the DSI Arts Gala Night 2026 came to a quiet, tender end. For months, this adapted version of Around the World in Eighty Days lived in rehearsal rooms, in scribbled script margins, in the nerves and laughter of students and teachers who chose to tell a story that wasn’t just about adventure, but about us. Our multicultural community, our inside jokes, our small moments of homesickness and belonging. They all found their way onto that stage.
What you saw wasn’t just a school play. It was a group of young people, guided by teachers who stayed after hours, fuelled by a Core Production Team who refused to cut corners as they turning a classic literature into a mirror. We laughed at the running gags only DSI would understand. We felt the weight of a shared journey, because that’s what being internationally minded really means: not just traveling far, but learning to carry each other’s worlds along the way.
The DSI Arts Gala Night succeeded because no one stood alone. The cast rehearsed until their bodies remembered every beat. The teachers offered not just direction, but trust. And every single person who showed up proved that art, when made together, stops being a performance and starts being a quiet form of impact.
For a school celebrating 15 years, this was more than a milestone. It was a reminder that the stories we create, onstage or off, can ripple outward. 'Round in Eighty asked a simple question: What happens when people from everywhere try to get somewhere together? The answer, we hope, lingered long after the final bow.
More moments from the night... raw, real, and unrehearsed, will appear on the Media Cube WeChat Video Channel. Go watch them and recount the memories of this journey we took as a united family.
Thank you for being there. In person or just in spirit. This night belonged to all of you. All of us.
And our story continues……
核心制作团队 幕后感言
罗嘉许 Zoe
Reaching out to sponsors was one of the toughest parts — constant follow-ups, lots of patience. It taught me a lot about persistence and what good communication actually takes. I also helped with publicity and coordination. Seeing the work of the performance, creativity, and logistics teams finally come together on stage — that feeling of accomplishment was something else. I learned that a successful event isn't just about creativity and enthusiasm. It takes trust, it takes teamwork, and it definitely taught me how to keep my cool under pressure.
郭晞彤 Justina
I juggled sponsorship liaison with performing on stage. Handling external partnerships taught me how to balance what sponsors wanted with what the school needed, and I gained a real appreciation for just how much detailed planning goes into a smooth production. Seeing it all come together beautifully, knowing I'd played a part in it, was genuinely rewarding.
刘夏瑜 Yoyo
Securing sponsorship really tested my patience and communication — reaching out to businesses, writing proposals, negotiating. None of it was easy. But knowing their support helped bring the stage to life made it all worth it. When the curtains closed, what I felt was a mix of excitement and emotion. That show was the best testament to our team's months of hard work.
黎浩滢 Miko
There were definitely stressful moments during prep, but seeing everyone stay so committed and supportive made the whole process rewarding. My advice for future CPT leaders: make role divisions clearer from the start, and give yourselves more prep time — it really helps cut down the last-minute stress.
曾竞泽 Lucas
I was in charge of props — organising them, sourcing whatever was missing, and making sure everything got on and off stage on time. I learned pretty fast that even the smallest prop mistake can throw a performance off, so staying organised and communicating clearly is everything. This experience taught me to prepare ahead and stay flexible, and it honestly sharpened my problem-solving skills in a real way.
Joseph Sarvas
I originally auditioned for the lead, but ended up joining the creative team instead, helping rewrite the script and bring in new characters. Writing a play for the first time was genuinely challenging, but Mr. Syahir and Ms. Connie guided me through it. I later got to perform as one of the characters I'd written — "The Pranksters," based on my friends and myself — so getting into character felt pretty natural. Memorising all the songs and dances was tough, but after enough practice, we definitely stole the show.
何宝彤 Clara
I chose to step back from performing because of IB commitments, so I poured my love for musical theatre into visuals and merchandising. I researched cultural references, hand-drew designs for tote bags and postcards, and formatted the programme booklet to look like an actual Broadway playbill. As a leader, I learned pretty quickly that delegating — playing to people's strengths and trusting them — works so much better than trying to do everything alone. After six years at DSI performing on stage, watching the gala from the audience for the first time gave me a whole new appreciation for the invisible hours that go into a production.
潘芍霖 Shellin
The show turned out way beyond what I'd imagined. My biggest stress was the merchandise design — early drafts that flopped made me pretty anxious. But when the samples finally looked right, and I saw people lining up to buy them at the gala, I knew all that effort had been worth it.
麦子铠 Chris
The moment that felt most rewarding was when we laid out all the posters, merchandise, invitations, and the booklet together, and could finally see they formed one complete Gala visual identity.
Our group of five handled the visuals, publicity, and merch design for DSI Arts Night. Each of us designed images for three products. Clara and I mainly focused on the promotional materials. Ms. Wu Yang helped us revise the publicity designs, and Ms. Woody followed up on merch production and ordering.
The biggest challenge was balancing two things. First, keeping a consistent visual style — we had to find a middle ground between everyone's different approaches and the overall theme. Second, hiding story-related details in each design. We wanted the merch to be more than just nice-looking items — we wanted them to help the audience remember how the Gala made them feel. For example, in the Barcelona design, we worked in elements from the wedding scene, so people could look at it afterward and recall that moment and the emotions that came with it.
After several rounds of revisions, when we finally put everything together and it all looked like it belonged to one event — that was a really moving moment for me. It made me realize that design isn't just about making beautiful images. It's about communication, teamwork, and storytelling. I felt proud because our work became something real that the audience could see, hold, buy, and keep as a memory of the Gala.
家长感言
The curtain has fallen, but the magic lingers.
Every piece of Gala merch was designed with a little secret tucked inside — our way of turning memories and youthful spirit into collectible "Easter eggs." Did you spot them?
A heartfelt thank-you to all the guests and parents who joined us, to every sponsor who believed in our vision, to the school departments for their support behind the scenes, and to our teachers and fellow students for cheering us on. You are the reason this student-led production came to life and shone so brightly.
Gala merch is still on sale — take home a piece of this memory.
See you at next year's Gala!
*转自：广东顺德德胜学校(国际)官方公众号
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